Oscar Ho, at Song Dong's '36 Calendars' project, Artistree, Taikoo Place, Quarry Bay, 21 January 2013
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Standing in front of the part of the calendar that contains his own image. 

For several years Oscar Ho was Exhibitions Director at the Hong Kong Arts Centre. In addition to his identity as an artist (he trained in Canada and the United States) he became extremely active as a curator in Hong Kong. At a later stage of his career he became an academic, teaching cultural management at the Chinese University of Hong Kong. 

I collaborated with Oscar Ho to co-curate the exhibition 'In Search of Art' at the Pao Galleries of the Hong Kong Arts Centre in 1990. That exhibit invited Hong Kong residents to show their personal art collections to the public - bringing people and objects normally excluded from the 'white cube' of gallery space into contact with it. It also turned out to be an investigation into Hong Kong cultural identity. There are two short essays about 'In Search of Art' in my book Art & Place (1996). 

I write about Oscar Ho's art in various places, such as my book 'China Art - Modernity' (2019) and my essay  'Encountering alterity: linguistic opacity in modern and contemporary art', Word & Image, Vol. 39, No. 4, 2023, p. 453-466.  

Oscar Ho and I were amongst the artists who took part in and organized the Mobile Art Show in 1988. Taking place over two weekends in December that year, this was a public art project presented by the Hong Kong Arts Centre, and taking place at four different locations: Yan Oi Square, Tuen Mun; MacPherson Playground, Mongkok; Victoria Park, Causeway Bay; and Chater Road, Central. 

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