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X-WR-CALNAME:Art History @HKU
X-ORIGINAL-URL:https://arthistory.hku.hk
X-WR-CALDESC:Events for Art History @HKU
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DTSTART:20240101T000000
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DTSTART;TZID=UTC:20241026T090000
DTEND;TZID=UTC:20241026T180000
DTSTAMP:20260903T020123
CREATED:20241002T071921Z
LAST-MODIFIED:20241021T083234Z
UID:12170-1729933200-1729965600@arthistory.hku.hk
SUMMARY:Information Day 2024
DESCRIPTION:HKU Information Day\nDate: 26 October 2024 (Saturday)\nTime: 9am – 6pm\nVenue: Centennial Campus\n \nOur booth will be set up in CPD-LG.07. Find out more about Art History and our students’ learning experience inside and outside the classroom. \nProf. Thomas will give a special lecture on Impressionism at 10am in CPD-3.04 and a more general programme overview talk at 11:30am in CPD-LG.62. (click to see the 1000-level course flyer) \nIf you are keen on technology\, try our Buddhaverse: VR Dunhuang in CPD-LG.41 as well. No registration is required\, but first come first served! \nGO TO HKU INFORMATION DAY OFFICIAL WEBSITE \nFind out more about the Arts Programmes
URL:https://arthistory.hku.hk/index.php/event/information-day-2024/
LOCATION:Classroom 304\, Room 3.04\, Run Run Shaw Tower\, Centennial Campus\, HKU
CATEGORIES:2024-2025,Information
ATTACH;FMTTYPE=image/jpeg:https://arthistory.hku.hk/wp-content/uploads/2024/10/20241026-minilecture-poster-01-scaled.jpg
ORGANIZER;CN="Department of Art History":MAILTO:art.history@hku.hk
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DTSTART;TZID=UTC:20241030T170000
DTEND;TZID=UTC:20241030T183000
DTSTAMP:20260903T020123
CREATED:20241009T034210Z
LAST-MODIFIED:20241030T015555Z
UID:12190-1730307600-1730313000@arthistory.hku.hk
SUMMARY:Where Does A Painting End?
DESCRIPTION:Research Seminar Series 2024/25\nWhere Does A Painting End?\nDate: 30 October 2024 (Wednesday)\nTime: 5:00-6:30pm\nVenue: CPD 2.58\, Centennial Campus\, HKU (free seating)\nDirections: from MTR (click here); from car park (click here)\nSpeaker: Prof. Yeewan Koon \nAbstract\nThis presentation is of an ongoing project examining the conceit of a copy and pictorial wit in the Ming dynasty\, a time when a sophisticated art market for forgeries and originals was forming. By interrogating traditional paradigms of understanding copies\, this paper considers how artists employed emulative strategies to reflect on how paintings – as artifact and as image – inhabit their own social and cultural worlds. It asks what is the implication of a “double-looking” that demands acknowledging the presence of original artworks (and not of a former artist) within the replicant? Challenging the biases of historical lineages in our current art canon\, the speaker proposes that copies were instrumental in the making of visual knowledge and\, more importantly\, reveal what happens when copies escape time. \nSpeaker\nProf. Yeewan Koon is the Chair of the Department of Art History and Associate Dean (Global) at The University of Hong Kong. Her primary research focuses on Ming and Qing art history\, with projects that re-evaluate established canonical narratives for diverse perspectives and alternative methodologies. Additionally\, she is active in contemporary art\, contributing to publications and curatorial projects at institutions such as Asia Society and Gwangju Biennale. Her current research project is a thematic study of Chinese export paintings.
URL:https://arthistory.hku.hk/index.php/event/where-does-a-painting-end/
LOCATION:Classroom 258\, Room 2.58\, Run Run Shaw Tower\, Centennial Campus\, HKU
CATEGORIES:2024-2025,Academic Talk,Lecture Series,Seminar
ATTACH;FMTTYPE=image/jpeg:https://arthistory.hku.hk/wp-content/uploads/2024/10/30-oct-event.jpg
ORGANIZER;CN="Department of Art History":MAILTO:art.history@hku.hk
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