BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Art History @HKU - ECPv6.13.2.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Art History @HKU
X-ORIGINAL-URL:https://arthistory.hku.hk
X-WR-CALDESC:Events for Art History @HKU
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20220101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20220331T193000
DTEND;TZID=UTC:20220331T203000
DTSTAMP:20260313T023201
CREATED:20220217T041539Z
LAST-MODIFIED:20220505T013204Z
UID:9605-1648755000-1648758600@arthistory.hku.hk
SUMMARY:Queer Chinese Feminist Archipelago: Shanghai\, Miami\, and San Francisco
DESCRIPTION:Queer Chinese Feminist Archipelago: Shanghai\, Miami\, and San Francisco\nDate: 31 March 2022 (Thursday)\nTime: 7:30pm\nWebinar Link: https://hku.zoom.us/webinar/register/WN_-0hC3rd-RXKtVCXctyqPbQ \nMartinican-born poet and theoretician Édouard Glissant suggests that a shift to “archipelagic thinking” can allow one to see the world metaphorically as a collection of islands connected to each other. Foregrounding the body and affect\, I will consider the exhibition WOMEN 我們\, organized by Abby Chen\, that traveled from Shanghai (2011) to San Francisco (2012) and Miami (2013) through what I refer to as “archipelagic feeling.” WOMEN 我們 explored queer Chinese feminism\, and in a nod to cities where the venues were located\, the curators expanded the checklist at each leg of the tour. In this way\, the curators aimed not to essentialize or center queer Chinese feminism but productively connect it to (for example) Latinx subjectivities and Asian-American feminist concerns. In so doing\, I suggest this exhibition offers a new framework for thinking about the transnational through both queerness and creolization. \nSpeaker: Dr. Alpesh Kantilal Patel \nAlpesh Kantilal Patel is an associate professor of contemporary art at Tyler School of Art and Architecture\, Temple University. His art historical scholarship\, curating\, and criticism reflect his queer\, anti-racist\, and transnational approach to contemporary art. He is the author of the monograph Productive failure: Writing queer transnational South Asian art histories (2017). A co-editor of the anthology Storytellers of Art’s Histories (2022) and special journal issue for Nka: Journal of Contemporary African Art (2021)\, he is working on two book projects\, Visual Diaries: Transnational Miami and Multiple and One: Global Queer Art Histories.
URL:https://arthistory.hku.hk/index.php/event/queer-chinese-feminist-archipelago-shanghai-miami-and-san-francisco/
LOCATION:Online
CATEGORIES:2021-2022,Seminar
ATTACH;FMTTYPE=image/jpeg:https://arthistory.hku.hk/wp-content/uploads/2022/02/20220331-patel-poster-04-scaled.jpg
ORGANIZER;CN="Department of Art History":MAILTO:art.history@hku.hk
END:VEVENT
END:VCALENDAR