{"id":1998,"global_id":"arthistory.hku.hk?id=1998","global_id_lineage":["arthistory.hku.hk?id=1998"],"author":"1","status":"publish","date":"2020-02-27 07:52:44","date_utc":"2020-02-27 07:52:44","modified":"2020-06-22 09:55:41","modified_utc":"2020-06-22 09:55:41","url":"https:\/\/arthistory.hku.hk\/index.php\/event\/a-sky-with-no-frontier-figure-schema-and-movement-in-the-astral-culture-of-china-and-inner-asia-ca-900-1200\/","rest_url":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/tribe\/events\/v1\/events\/1998","title":"A Sky with No Frontier: Figure, Schema, and Movement in the Astral Culture of China and Inner Asia","description":"<h2>A Sky with No Frontier: Figure, Schema, and Movement in the Astral Culture of China and Inner Asia, ca. 900-1200<\/h2>\n<p><strong>Date: 12 April 2017 (Wednesday)<\/strong><br \/>\n<strong>Time: 5:00-6:30pm<\/strong><br \/>\n<strong>Venue: Room 4.34, Run Run Shaw Tower, Centennial Campus<\/strong><\/p>\n<article id=\"post-4383\" class=\"post-4383 fa_events type-fa_events status-publish hentry fa_event_type-event-staff\">\n<div class=\"entry-content\">\n<div class=\"additional_information\">\n<p>The tenth to thirteenth centuries in what is now China witnessed the heyday of traditional Chinese astronomy, the transmission of new astral concepts and forms from afar, and the rise of influential astral deity cults. This talk examines the visual and material dimensions of this \u201castral turn\u201d in transregional and transcultural perspective. We travel between the central Chinese plains, the northern steppe, and the northwestern desert, from the last days of the great Tang dynasty (618-907) to the multicentered age of the Song (960-1279) and its non-Han rivals, the Khitan Liao (907-1125) and Tangut Xixia (1038-1227).<\/p>\n<p>We examine how, in an era of very palpable territorial limits, the astral bodies exercised a striking freedom of movement, crossig cultures, social registers, and religions in their wanderings across the sky. The fluidity was enabled, I argue by a productive tension between figurative representation and underlying abstract schemas. This reflects, in turn, the longstanding dynamic encounter between classical Chinese thought and the Indian religion of Buddhism. Identifying a shared schematic language across a broad range of materials, we will explore how astral culture&#8217;s worldmaking function fueled the rise of vernacular cosmologies and, ultimately, new imperial visions.<\/p>\n<\/div>\n<\/div>\n<footer class=\"entry-meta\"><\/footer>\n<\/article>\n<article id=\"post-4403\" class=\"post-4403 fa_events type-fa_events status-publish hentry fa_event_type-event-staff\">\n<header class=\"entry-header\"><\/header>\n<\/article>\n<p><strong>Speaker: Michelle McCoy<\/strong><\/p>\n<p>Michelle McCoy is a doctoral candidate in History of Art at the University of California, Berkeley, where she is completing a dissertation on astrology and astronomy in the art of Liao-Yuan China and Inner Asia. She is a specialist in Dunhuang and the art and architecture of the Tangut Xixia empire.<\/p>","excerpt":"","slug":"a-sky-with-no-frontier-figure-schema-and-movement-in-the-astral-culture-of-china-and-inner-asia-ca-900-1200","image":{"url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-scaled.jpg","id":1999,"extension":"jpg","width":1810,"height":2560,"sizes":{"medium":{"width":212,"height":300,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-212x300.jpg"},"large":{"width":724,"height":1024,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-724x1024.jpg"},"thumbnail":{"width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-150x150.jpg"},"medium_large":{"width":768,"height":1086,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-768x1086.jpg"},"1536x1536":{"width":1086,"height":1536,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-1086x1536.jpg"},"2048x2048":{"width":1448,"height":2048,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-1448x2048.jpg"},"portfolio-full":{"width":940,"height":400,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-940x400.jpg"},"portfolio-one":{"width":540,"height":272,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-540x272.jpg"},"portfolio-two":{"width":460,"height":295,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-460x295.jpg"},"portfolio-three":{"width":300,"height":214,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-300x214.jpg"},"portfolio-five":{"width":177,"height":142,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-177x142.jpg"},"blog-large":{"width":669,"height":272,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-669x272.jpg"},"blog-medium":{"width":320,"height":202,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-320x202.jpg"},"recent-posts":{"width":700,"height":441,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-700x441.jpg"},"recent-works-thumbnail":{"width":66,"height":66,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-66x66.jpg"},"fusion-200":{"width":200,"height":283,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-200x283.jpg"},"fusion-400":{"width":400,"height":566,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-400x566.jpg"},"fusion-600":{"width":600,"height":848,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-600x848.jpg"},"fusion-800":{"width":800,"height":1131,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-800x1131.jpg"},"fusion-1200":{"width":1200,"height":1697,"mime-type":"image\/jpeg","url":"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/02\/McCoy-Poster-update-1200x1697.jpg"}},"original_image":"McCoy-Poster-update.jpg"},"all_day":false,"start_date":"2017-04-12 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