{"id":11091,"date":"2023-07-19T04:29:23","date_gmt":"2023-07-19T04:29:23","guid":{"rendered":"https:\/\/arthistory.hku.hk\/index.php\/people\/sarah-ng-2\/"},"modified":"2023-07-19T07:57:34","modified_gmt":"2023-07-19T07:57:34","slug":"harald-peter-kraemer","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/people\/harald-peter-kraemer\/","title":{"rendered":"Harald Peter KRAEMER"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h1 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:40;line-height:1.6;\">Harald Peter KRAEMER \u5b54\u6167\u92b3<\/h1><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:17px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_6 1_6 fusion-one-sixth fusion-column-first\" style=\"width:16.666666666667%;width:calc(16.666666666667% - ( ( 4% ) * 0.16666666666667 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><span class=\" fusion-imageframe imageframe-dropshadow imageframe-1 hover-type-none\" style=\"border-radius:50%;-webkit-box-shadow: 3px 3px 7px rgba(0,0,0,0.3);box-shadow: 3px 3px 7px rgba(0,0,0,0.3);\"><img decoding=\"async\" width=\"300\" height=\"300\" title=\"KRAEMER Harald P\" src=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2023\/07\/KRAEMER-Harald-P.png\" class=\"img-responsive wp-image-11104\" srcset=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2023\/07\/KRAEMER-Harald-P-200x200.png 200w, https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2023\/07\/KRAEMER-Harald-P.png 300w\" sizes=\"(max-width: 800px) 100vw, 200px\" \/><\/span><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 20px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><h5>Curator, University Museum and Art Gallery \u9999\u6e2f\u5927\u5b78\u7f8e\u8853\u535a\u7269\u9928\u9928\u9577<\/h5>\n<p>Tel: 2219 4513<br \/>\nEmail: <a href=\"mailto:hkraemer@hku.hk\">hkraemer@hku.hk<\/a><br \/>\nOffice: Room 205, TT Tsui Building, Main Campus<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-first\" style=\"width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 10% 0px 0px;\"><div class=\"fusion-text fusion-text-2\"><p><strong>Dipl. Cur. <em>I<\/em><em>nstitute for Cultural Sciences, Vienna; <\/em>PhD <em>University of Trier<\/em><\/strong><\/p>\n<\/div><div class=\"fusion-text fusion-text-3\"><p>Dr. Kraemer is an art scholar, curator and designer with a focus on Museum Studies and Media in Museums. His PhD on <em>Museum Informatics &amp; Digital Collections<\/em> is considered a standard work for digital museum documentation. As a pioneer of museum informatics and through his involvement in 40 museums in the planning, design and production of database systems for collection\/museum management, digital online strategies for museums and numerous interactive online and offline media applications with cultural themes and e-learning courses, he is counted among the founders of the Digital Humanities.<\/p>\n<p>In Vienna, Dr. Kraemer completed the first MA programme for exhibition curators and has since curated and designed over 80 exhibitions. He has written and published widely on applied museology, museum documentation, media in museums, curating, and contemporary art and has taught these topics at universities in Bern, Glasgow, Hong Kong, and Zurich, among others. He was one of the founders of the European Master of Excellence Program <em>Media Arts Cultures<\/em> and Head of the MA Program <em>Curating Art <\/em><em>&amp; Media<\/em> (SCM, 2014-2021). Since August 2022 he has been a curator at UMAG, where he also teaches courses in Museum Studies. Next projects: Couplet Pair Rebus. The principle of cause and effect in art (exhibition at UMAG); Museums and their digital intangible Cultural Heritage (book).<\/p>\n<\/div><div class=\"fusion-tabs fusion-tabs-1 clean vertical-tabs icon-position-left\"><style type=\"text\/css\">#wrapper .fusion-tabs.fusion-tabs-1.clean .nav-tabs li a.tab-link{border-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .nav-tabs li a.tab-link{background-color:rgba(255,255,255,0.1);}.fusion-tabs.fusion-tabs-1 .nav-tabs li.active a.tab-link,.fusion-tabs.fusion-tabs-1 .nav-tabs li.active a.tab-link:hover,.fusion-tabs.fusion-tabs-1 .nav-tabs li.active a.tab-link:focus{background-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .nav-tabs li a:hover{background-color:rgba(181,159,135,0.25);border-top-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .tab-pane{background-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .nav,.fusion-tabs.fusion-tabs-1 .nav-tabs,.fusion-tabs.fusion-tabs-1 .tab-content .tab-pane{border-color:rgba(181,159,135,0.25);}<\/style><div class=\"nav\"><ul class=\"nav-tabs\" role=\"tablist\"><li class=\"active\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-3266b7bbbcf9b6b4084\" aria-selected=\"true\" id=\"fusion-tab-areasofexpertise\" href=\"#tab-3266b7bbbcf9b6b4084\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-star fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Areas of Expertise<\/h4><\/a><\/li><li><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-79aed1819d243994a8b\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-currentresearchinterest\" href=\"#tab-79aed1819d243994a8b\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-keyboard fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Current Research Interest<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-content\"><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs\"><li class=\"active\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-3266b7bbbcf9b6b4084\" aria-selected=\"true\" id=\"mobile-fusion-tab-areasofexpertise\" href=\"#tab-3266b7bbbcf9b6b4084\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-star fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Areas of Expertise<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix in active\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-areasofexpertise\" id=\"tab-3266b7bbbcf9b6b4084\">\n<p><strong>Applied Museum Studies, Curating and Exhibition Design, Interactive Media in Museums, History of Art \/ Media \/ Design \/ Exhibitions 20<sup>th<\/sup>\/21<sup>st<\/sup> century<\/strong><\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs\"><li><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-79aed1819d243994a8b\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-currentresearchinterest\" href=\"#tab-79aed1819d243994a8b\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-keyboard fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Current Research Interest<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-currentresearchinterest\" id=\"tab-79aed1819d243994a8b\">\n<p><strong>The Future of Museums, Digital Intangible Cultural Heritage, Dystopian Science Fiction, all kinds of painting<\/strong><\/p>\n<\/div><\/div><\/div><div class=\"fusion-text fusion-text-4\"><h3>Selected Publications<\/h3>\n<p>\u201cPedagogical &amp; Interpretive Media\u201d, (chapter) in: <em>New Media Art: Curation and Culture<\/em>, Vol. III of <em>Encyclopaedia of New Media Art<\/em>, Sydney: Bloomsbury, 2024. (in prep.)<\/p>\n<p><strong>\u00a0<\/strong><em>Future Memories. Utopia Dystopia Nature. Exhibition Strategy \u2013 Reflection \u2013 Documentation<\/em>, Barcelona \/ Hong Kong \/ Vienna: Ediciones Triton, 2022.<\/p>\n<p>\u201cMedia are\u2014first of all\u2014for fun. The Future of Media determines the Future of Museums\u201d, in: Gerald Bast, Elias G. Carayannis and David F. J. Campbell (Eds.): <em>The Future of Museums<\/em>, Berlin\/Heidelberg: Springer, 2018, 81<em>\u2013<\/em>100.<\/p>\n<p><em>The Age of Experience: Hong Kong \u2013 Vienna. Exhibition Strategy &amp; Reflection<\/em>, Barcelona \/ Hong Kong \/ Vienna: Ediciones Triton, 2017.<\/p>\n<p>\u201cWhat is less or more than a touch? Multimedia Classics \u2013 Hypermedia Hermeneutics\u201d, in: <em>Curator. The Museum Journal<\/em>, January 2014, Vol. 57, No. 1, 119\u2013136.<\/p>\n<p>\u201cInterdependence and Consequence. En Route toward a Grammar of Hypermedia Commu-nication Design\u201d, in: Oliver Grau, Thomas Veigl (Eds.): <em>Gazing into the 21st Century<\/em>, Cambridge MA: MIT Press, 2011,\u00a0 289\u2013312.<\/p>\n<p>\u201cArt is redeemed, Mystery is gone: the Documentation of Contemporary Art\u201d, in: Sarah Kenderdine, Fiona Cameron (Eds.): <em>Theorising Futures for the Past. Cultural Heritage and Digital Media<\/em>, Cambridge MA: MIT Press, 2007, 193\u2013222.<\/p>\n<p><em>Museumsinformatik und Digitale Sammlung<\/em>, Vienna: WUV (Vienna University Press), 2001.<\/p>\n<\/div><div class=\"fusion-text fusion-text-5\"><h3>Selected Exhibitions<\/h3>\n<p><em>Couplet Pair Rebus. The Principle of Cause and Effect in Art<\/em>, UMAG, 18.10.2023\u201328.01.2024.<\/p>\n<p><em>Future Memories. Utopia Dystopia Nature,<\/em> Run Run Shaw Creative Media Centre, City University of Hong Kong, 10.03.\u201306.04.2021.<\/p>\n<p><em>Metamorphorsis or Confrontation. Tobias Klein, <\/em>The University of Hong Kong Museum and Art Gallery, 20.05.\u201306.12.2020. (Co-curated with F. Knothe).<\/p>\n<p><em>Jeffrey Shaw. Encompassing the Golden Calf 1966&gt;2019, <\/em>Lotsremark Projekte, Basel, 11.06.\u201316.07.2019.<\/p>\n<p><em>Interval in Space<\/em>, Fundaziun Nairs, 22.07.\u201331.10.2017; Osage Gallery, 15.12.2017\u201315.01.2018, with works of Nadim Abbas, Au Hoi Lam, Sarah Lai, Lee Kit, Kingsley Ng, Judith Fegerl, Beat Feller, Zilla Leutenegger, Matthias Liechti, Boris Rebetez.<\/p>\n<p><em>The Age of Experience<\/em>, Angewandte Innovation Lab, University of Applied Arts,Vienna, 28.11.\u201320.12.2016; Run Run Shaw Creative Media Centre, City University of Hong Kong, 13.03.\u201322.04.2015.<\/p>\n<p><em>ISEA2016 Hong Kong Cultural R&gt;Evolution<\/em>, City University of Hong Kong, CMC, 18.05.\u201323.05.2016; Polytechnic University, Design School, 16.05.\u2013 23.05.2016; The University of Hong Kong, 19.05.\u201323.05.2016; Connecting Spaces Hong Kong\u2013Zurich, 17.05.\u201321.05.2016.<\/p>\n<p><em>George Steinmann \u2013 Marcel Broodthaers. Dyspositive<\/em>. Lotsremark Projekte, Basel 13.10.\u201315.12.2012.<\/p>\n<p><em>Robert Lettner. Bilder zur magischen <\/em>Geometrie (Paintings of magical geometry), Vienna Secession, 20.11.1998\u201317.01.1999.<\/p>\n<p><em>Aura \u2013 Die Realit\u00e4t des Kunstwerks zwischen Autonomie, Reproduktion und Kontext (Aura \u2013 the reality of the artwork between autonomy, reproduction and context)<\/em>, Vienna Secession, 02.09.\u201316.10.1994. (Graphic Cabinet).<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-last\" style=\"width:33.333333333333%;width:calc(33.333333333333% - ( ( 4% ) * 0.33333333333333 ) );margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-6\"><h3>Current Courses<\/h3>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2056\/\"><strong>ARTH2056 <\/strong><\/a>Museum studies workshop<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth4005\/\"><strong>ARTH4005<\/strong><\/a> Art history internship<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":113,"menu_order":26,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11091","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/11091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=11091"}],"version-history":[{"count":4,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/11091\/revisions"}],"predecessor-version":[{"id":11105,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/11091\/revisions\/11105"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/113"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=11091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}