{"id":1330,"date":"2020-02-12T10:18:05","date_gmt":"2020-02-12T10:18:05","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=1330"},"modified":"2025-07-25T10:03:46","modified_gmt":"2025-07-25T10:03:46","slug":"kathleen-l-wyma","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/people\/kathleen-l-wyma\/","title":{"rendered":"Kathleen L. WYMA"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h1 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:40;line-height:1.6;\"><h1>Kathleen L. WYMA \u885b\u6770\u9748<\/h1><\/h1><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:11px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_6 1_6 fusion-one-sixth fusion-column-first\" style=\"width:16.666666666667%;width:calc(16.666666666667% - ( ( 4% ) * 0.16666666666667 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><span class=\" fusion-imageframe imageframe-dropshadow imageframe-1 hover-type-none\" style=\"border-radius:50%;-webkit-box-shadow: 3px 3px 7px rgba(0,0,0,0.3);box-shadow: 3px 3px 7px rgba(0,0,0,0.3);\"><img decoding=\"async\" width=\"150\" height=\"150\" title=\"test 5\" src=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/01\/test-5-e1578905561657.jpg\" class=\"img-responsive wp-image-580\"\/><\/span><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><h5>Lecturer \u8b1b\u5e2b<\/h5>\n<p>Tel: 3917-7041<br \/>\nEmail: <a href=\"mailto:klwyma@hku.hk\">klwyma@hku.hk<\/a><br \/>\nOffice: Room 10.18, Run Run Shaw Tower, Centennial Campus<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-first\" style=\"width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 10% 0px 0px;\"><div class=\"fusion-text fusion-text-2\"><p data-fontsize=\"16\" data-lineheight=\"24\"><strong>BFA, MA, PhD <em>University of British Columbia<\/em><\/strong><\/p>\n<\/div><div class=\"fusion-text fusion-text-3\"><p>Dr Wyma teaches courses on contemporary global, modern and South Asian art history. Her research focuses on post 1945 Indian art, with a special interest in post colonialism and the impact of intercultural exchange in an increasing globalized art world. Before joining HKU, she taught at various institutions in Vancouver, Canada: The University of British Columbia, The University of the Fraser Valley and Emily Carr University.<\/p>\n<\/div><div class=\"fusion-tabs fusion-tabs-1 clean vertical-tabs icon-position-left\"><style type=\"text\/css\">#wrapper .fusion-tabs.fusion-tabs-1.clean .nav-tabs li a.tab-link{border-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .nav-tabs li a.tab-link{background-color:rgba(255,255,255,0.1);}.fusion-tabs.fusion-tabs-1 .nav-tabs li.active a.tab-link,.fusion-tabs.fusion-tabs-1 .nav-tabs li.active a.tab-link:hover,.fusion-tabs.fusion-tabs-1 .nav-tabs li.active a.tab-link:focus{background-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .nav-tabs li a:hover{background-color:rgba(181,159,135,0.25);border-top-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .tab-pane{background-color:rgba(181,159,135,0.25);}.fusion-tabs.fusion-tabs-1 .nav,.fusion-tabs.fusion-tabs-1 .nav-tabs,.fusion-tabs.fusion-tabs-1 .tab-content .tab-pane{border-color:rgba(181,159,135,0.25);}<\/style><div class=\"nav\"><ul class=\"nav-tabs\" role=\"tablist\"><li class=\"active\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-446b9dc84cad6bc290d\" aria-selected=\"true\" id=\"fusion-tab-areasofexpertise\" href=\"#tab-446b9dc84cad6bc290d\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-star fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Areas of Expertise<\/h4><\/a><\/li><li><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-70fd4afd510fe6f2717\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-currentresearchinterest\" href=\"#tab-70fd4afd510fe6f2717\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-keyboard fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Current Research Interest<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-content\"><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs\"><li class=\"active\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-446b9dc84cad6bc290d\" aria-selected=\"true\" id=\"mobile-fusion-tab-areasofexpertise\" href=\"#tab-446b9dc84cad6bc290d\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-star fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Areas of Expertise<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix in active\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-areasofexpertise\" id=\"tab-446b9dc84cad6bc290d\">\n<p><strong>Contemporary Indian art<\/strong><\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs\"><li><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-70fd4afd510fe6f2717\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-currentresearchinterest\" href=\"#tab-70fd4afd510fe6f2717\"><h4 class=\"fusion-tab-heading\"><i class=\"fontawesome-icon fa-keyboard fas\" aria-hidden=\"true\" style=\"font-size:22px;\"><\/i>Current Research Interest<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-currentresearchinterest\" id=\"tab-70fd4afd510fe6f2717\">\n<p><strong>post colonialism and the impact of intercultural exchange in the globalized art world<\/strong><\/p>\n<\/div><\/div><\/div><div class=\"fusion-text fusion-text-4\"><h3>Selected Publications<\/h3>\n<p>\u201cAtul Bhalla: Contemporary Landscape and the Depths of the Historical Field,\u201d <em>Photo Reader. <\/em>New Delhi: India Habitat Centre, forthcoming.<\/p>\n<p>\u201cConstructing the Eco-dimensions of Intangible Heritage,\u201d in <em>Arunkumar HG: CON-struction. <\/em>Delhi: Gallery Espace, 2018. ISBN819302392-7.<\/p>\n<p>\u201cInsights into In-Site,\u201d in <em>Arunkumar HG: In-Site. <\/em>New York: Aicon Gallery, 2018.<\/p>\n<p>\u201cOn the Edges of Representation: Rethinking Photographs of Rural India,\u201d in <em>Photography in India: From Archives to Contemporary Practice, eds., <\/em>Aileen Blaney and Chinar Shah. London: Bloomsbury, 2018. ISBN 978-1-350-02788-6.<\/p>\n<p>\u201cPoetics and Procrustean Possibilities,\u201d in <em>Zakkir Hussain: The Procrustean Bed. <\/em>Mumbai: Guild Art Gallery, 2017.<\/p>\n<p>\u201cAn Eye on History,\u201d <em>ArtIndia<\/em>, Vol. XVIII, Issue III (2014).<\/p>\n<\/div><div class=\"fusion-text fusion-text-5\"><h3>Curatorship<\/h3>\n<p>Curator,\u00a0<em>Leaving a Trace<\/em>, Beyond Malabar, Kochi, India, December 2017.<\/p>\n<p>Curator,\u00a0<em>Reviving the Retinal<\/em>, Gallery OED, Kochi, India, March 2015.<\/p>\n<p>Curator,\u00a0<em>Contemporary Contingencies<\/em>, Gallery OED, Kochi, India, December 2014.<\/p>\n<p>Curator,\u00a0<em>The Material Point: Reconsidering the Medium in the (Post)modern Moment<\/em>,\u00a0Gallery OED, Kochi, India, July 2013.<\/p>\n<\/div><div class=\"fusion-text fusion-text-6\"><h3>Conferences<\/h3>\n<p>Panel organizer: <em>The Dignity of Labour: Interrogating Representations of Work\u00a0<\/em>American Asian Studies Conference (Denver, March 2019).<\/p>\n<p>Presenter: \u201cPhotographic Retakes: Reconsidering Representations of Rural Workers in India\u201d <em>The Dignity of Labour: Interrogating Representations of Work\u00a0<\/em>American Asian Studies Conference (Denver, March 2019).<\/p>\n<p>\u201cThe Eco-Artist in Parallel Worlds,\u201d <em>SARA Community Action Program<\/em>, Western Ghats Eco Walk, Shimoga District, Karnataka, June 2017.<\/p>\n<p>Panel Moderator, symposium held in conjunction with the exhibition \u0936\u092c\u094d\u0926\/ \u0634\u0628\u062f (\u015babd), Korean Cultural Centre, New Delhi, August 2016.<\/p>\n<\/div><div class=\"fusion-text fusion-text-7\"><h3><strong>Invited presentations<\/strong><\/h3>\n<p>\u201cPost-Modern Museum: The Case of Indian Art History and Heritage in Singapore,\u201d (in conversation with Gauri Parimoo Krishnan) Asia Society, Hong Kong, June 2020.<\/p>\n<p>\u201cPost-War &amp; Contemporary Art: Key Theories through 10 Artworks.\u201d\u00a0\u00a0Christie\u2019s Education: Fundamentals of Collecting Series, Hong Kong, May 2019.<\/p>\n<p>\u201cA Conversation with Jonni Cheatwood,\u201d in conjunction with Jonni Cheatwood: Dressed Up for the Letdown, Over the Influence Art Gallery, November 2018.<\/p>\n<p>\u201cRethinking Photographs of Rural India,\u201d National Taiwan University of Technology, June 2018.<\/p>\n<p>\u201cArt talk about Contemporary Photography:\u00a0A dialogue between Dr. Kathleen Wyma and Dr. Louis Lo\u201d\u00a0in conjunction with\u00a0The Solo Exhibition of Nobuyoshi Araki, Over the Influence Art Gallery, Hong Kong, May 2017.<\/p>\n<p>\u201cIntricate Exhibits and their History,\u201d\u00a0Mari-Cha Lecture Series,\u00a0Asia Society, Hong Kong, February 2017.\u200b<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-last\" style=\"width:33.333333333333%;width:calc(33.333333333333% - ( ( 4% ) * 0.33333333333333 ) );margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-8\"><h3>Current Courses<\/h3>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2020\/\">ARTH2020<\/a><\/strong>\u00a0American art<\/p>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2081\/\">ARTH2081<\/a> <\/strong>Art history and its methods<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth4004\/\"><strong>ARTH4004<\/strong><\/a> Perspectives in art history<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/master-of-arts-in-art-history\/ma-courses\/arth7001\/\"><strong>ARTH7001<\/strong><\/a>\u00a0Art history: goals, methods, and writing<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/master-of-arts-in-art-history\/ma-courses\/arth7011\/\"><strong>ARTH7011<\/strong><\/a> Dissertation writing workshop<\/p>\n<h3>Past Courses<\/h3>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2093\/\">ARTH2093<\/a><\/strong>\u00a0Contemporary art in India<\/p>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2030\/\">ARTH2030<\/a> <\/strong>Towards the global<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2076\/\"><strong>ARTH2076<\/strong> <\/a>The sculptural object in early 20th-century art<\/p>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2090\/\">ARTH2090<\/a><\/strong> Blockbusters, bonanzas, and biennales: contemporary art in the global age<\/p>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/undergraduate\/courses\/arth2092\/\">ARTH2092<\/a><\/strong> Photography in North America<\/p>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/arth3028\/\">ARTH3028<\/a><\/strong> The mirror and the globe: Courtly arts of India 16-19th century<\/p>\n<p><strong><a href=\"https:\/\/arthistory.hku.hk\/index.php\/arth4003\/\">ARTH4003<\/a><\/strong>\u00a0Perspectives in Western art<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/master-of-arts-in-art-history\/ma-courses\/arth7007\/\"><strong>ARTH7007<\/strong><\/a> Seminar in Wester art, 18th to 20th centuries<\/p>\n<p><a href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/master-of-arts-in-art-history\/ma-courses\/arth7008\/\"><strong>ARTH7008<\/strong><\/a> Seminar in contemporary art<\/p>\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:30px;margin-bottom:30px;width:100%;\"><div class=\"fusion-separator-border sep-single\" style=\"border-color:rgba(181,159,135,0.25);border-top-width:1px;\"><\/div><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-9\"><h5>PROFILE @ HKU Library<\/h5>\n<p><a href=\"http:\/\/hub.hku.hk\/cris\/rp\/rp01972\" target=\"_blank\" rel=\"noopener noreferrer\">HKU Scholars Hub research page<\/a><\/p>\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:30px;margin-bottom:30px;width:100%;\"><div class=\"fusion-separator-border sep-single\" style=\"border-color:rgba(181,159,135,0.25);border-top-width:1px;\"><\/div><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-10\"><h5>Reaching beyond HKU<\/h5>\n<h6>Kathleen L. Wyma at the Asia Society Hong Kong Center &#8211;\u00a0<a href=\"https:\/\/asiasociety.org\/hong-kong\/events\/intricate-exhibits-and-their-history\" target=\"_blank\" rel=\"noopener noreferrer\">Intricate Exhibits and their History<\/a><\/h6>\n<\/div><div class=\"fusion-text fusion-text-11\"><h6>Kathleen L. Wyma at the Graduate Institute of Art History NTNU &#8211;\u00a0<a href=\"https:\/\/zh-tw.facebook.com\/hoartntnu\/photos\/a.472054872984120\/801987599990844\/?type=3&amp;theater\" target=\"_blank\" rel=\"noopener noreferrer\">The Edge of Representation: Rethinking Photographs of Rural India<\/a><\/h6>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":113,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1330","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=1330"}],"version-history":[{"count":30,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1330\/revisions"}],"predecessor-version":[{"id":12652,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1330\/revisions\/12652"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/113"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=1330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}