{"id":2198,"date":"2020-03-02T10:05:05","date_gmt":"2020-03-02T10:05:05","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2198"},"modified":"2020-06-25T04:55:55","modified_gmt":"2020-06-25T04:55:55","slug":"asian-art-essay-prize-winners","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/awards-prizes-gifts\/prizes\/asian-art-essay-prize-winners\/","title":{"rendered":"Asian Art Essay Prize Winners"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><h1 style=\"text-align: left;\">The University of Hong Kong Museum Society<\/h1>\n<h2 style=\"text-align: left;\">Asian Art Essay Prize Winners and Winning Essays<\/h2>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-flip-boxes flip-boxes row fusion-columns-4 flip-effect-classic equal-heights\"><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2018-2019<\/h2>Ms. TSANG Hok Yau Bibiana<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p style=\"text-align: left;\">Wen Boren\u2019s <em>Gazing into the Waterfall by the Autumnal Precipice <\/em>(<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/essay-prize-1819-tsang.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2017-2018<\/h2>Ms. CHUNG Melanie<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p style=\"text-align: left;\">A New Perspective in Reviewing the Modern Woodcut Movement (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/2017-2018-essay-prize.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2016-2017<\/h2>Ms. TONG Yijia Tracy<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>Ran as Rhetoric: Reconsideration of Dutch-Japanese Interactions in Edo Period (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Tong-Yijia-Asian-Art-essay-1mb.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2015-2016<\/h2>Ms. PARK Sae Him<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>Building the National identity: The Study of Japanese Government-General Building (1926-1995) (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/2016-essay-park.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2014-2015<\/h2>Ms. CHAN Bik-cheung Shirley<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>An Interpretation of Equestrian Holding a catapult in a Hunt by the Yuan-artist Zhao Yong (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Asian-Art-Essay-Prize-2015.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2013-2014<\/h2>Mr. FUNG On Tsun Andrew<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>A New Perspective in Chinese Art: Unearthing Vernacular Painting in the High Qing (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Asian_Art_Essay_Prize_2014.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2012-2013<\/h2>Ms. LEUNG Ge Yau Candy<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>A Study of Paintings of Beautiful Woman by Selected Guangdong Artists in the Early Twentieth Century (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Asian_Art_Essay_Prize_2013.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2011-2012<\/h2>Ms. HUANG Chen Sarah<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>A Study on Returning with a Good Bag after Hunting (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Asian_Art_Essay_Prize_2012.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2010-2011<\/h2>Ms. XUE Junyuan<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>The Scholar in the Study: Wang Fu\u2019s Landscape as a Personal and Historical Space (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Asian_Art_Essay_Prize_2011.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2009-2010<\/h2>Mr. SAW Ngai Mun Edmund<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>An Analysis of the Song-dynasty Painting\u00a0<i>Apes Picking Up Fruits (Yuan\u00a0hou\u00a0zhai\u00a0guo\u00a0tu \u00a0<\/i>\u733f\u7334\u6458\u679c\u5716<i>)<\/i> (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/Asian_Art_Essay_Prize_2010.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-flip-box-wrapper fusion-column col-lg-3 col-md-3 col-sm-3\"><div class=\"fusion-flip-box flip-right\" tabindex=\"0\"><div class=\"flip-box-inner-wrapper\"><div class=\"flip-box-front\" style=\"background-color:rgba(0,124,110,0.15);border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:#007c6e;transition-duration:0.8s;\"><div class=\"flip-box-front-inner\"><h2 class=\"flip-box-heading\" style=\"color:#014268;\">2008-2009<\/h2>Ms. HU Yue Estella<\/div><\/div><div class=\"flip-box-back\" style=\"background-color:#007c6e;border-color:rgba(0,0,0,0);border-radius:5px;border-style:solid;border-width:1px;color:rgba(255,255,255,0.8);transition-duration:0.8s;\"><div class=\"flip-box-back-inner\">\n<p>The Political Import of the \u2018Buddha\u2019 and the \u2018Foreign Kings\u2019 in \u2018Barbarian Royalty Worshipping Buddha.&#8217; (<a href=\"https:\/\/arthistory.hku.hk\/wp-content\/uploads\/2020\/03\/HuYueEssay.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">read<\/a>)<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"clearfix\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1454,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2198","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=2198"}],"version-history":[{"count":21,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2198\/revisions"}],"predecessor-version":[{"id":5749,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2198\/revisions\/5749"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1454"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=2198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}