{"id":2455,"date":"2020-03-06T07:11:21","date_gmt":"2020-03-06T07:11:21","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2455"},"modified":"2025-02-07T02:59:03","modified_gmt":"2025-02-07T02:59:03","slug":"mphil-thesis","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/","title":{"rendered":"MPhil Thesis"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 30px 0px;\"><div class=\"fusion-text fusion-text-1\"><h1>Past Theses<\/h1>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_5_6 5_6 fusion-five-sixth fusion-column-first\" style=\"width:83.333333333333%;width:calc(83.333333333333% - ( ( 4% ) * 0.83333333333333 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2024<\/h2><\/div><div class=\"fusion-text fusion-text-2\"><p><strong>The Representation of Filial Piety in the Yuan-Dynasty Handscroll <em>Four Stories of Filial Piety<\/em><\/strong><br \/>\nLiu, Meichen \u5289\u7f8e\u8fb0<br \/>\nSupervisor: Prof. R.L. Hammers<\/p>\n<p><strong>Between Ideology and Conceptuality: Aesthetics of Photo-reportage in Early Mao\u2019s China<\/strong><br \/>\nWong, Christie Hei Yuen \u9ec3\u7199\u5a9b<br \/>\nSupervisor: Prof. Y.W. Koon<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2023<\/h2><\/div><div class=\"fusion-text fusion-text-3\"><p><strong>Women Making Art and Japan&#8217;s Electronic Age: Case Studies of Kubota Shigeko, Idemitsu Mako, and Mori Mariko<\/strong><br \/>\nCen, Yuan \u5c91\u5143<br \/>\nSupervisors: Dr. Y.W. Koon, Dr. C.W. Chan<\/p>\n<p><strong>Ren Hang&#8217;s &#8216;Abject&#8217; Photography: &#8216;Queer&#8217; Bodies Beyond Boundaries\u00a0<\/strong><br \/>\nLai, Man Kit \u8cf4\u6587\u6770<br \/>\nSupervisor: Dr. V.K. Sheng<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2021<\/h2><\/div><div class=\"fusion-text fusion-text-4\"><p><strong>Negotiating Art and Commerce in William Alexander\u2019s Illustrated Books on China<\/strong><br \/>\nZhu, Wenqi \u6731\u6587\u797a<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2019<\/h2><\/div><div class=\"fusion-text fusion-text-5\"><p><strong>Art for the New Nation: the Rise of the Lingnan School in the 1920s and the 1930s<\/strong><br \/>\nLiu, Yan Prynne \u5289\u8277<br \/>\nSupervisor: Dr. Y.W. Koon<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2018<\/h2><\/div><div class=\"fusion-text fusion-text-6\"><p><strong>Britain\u2019s Imagination: China-inspired Elements in the English Landscape Garden, c.1720-1870<\/strong><br \/>\nLuo, Yi \u7f85\u6613<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2017<\/h2><\/div><div class=\"fusion-text fusion-text-7\"><p><strong>The Display of Chinese Art in Late 19th-century French Houses and Museums<\/strong><br \/>\nWong, Yuet Heng \u9ec3\u6085\u884c<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<p><strong>Pang Xunqin\u2019s Wartime Paintings, 1937-1946<\/strong><br \/>\nYang, Qingkang \u694a\u6176\u5eb7<br \/>\nSupervisor: Prof. D.J. Clarke<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2016<\/h2><\/div><div class=\"fusion-text fusion-text-8\"><p><strong>Style, Identity, Genre: Inventing the Le Nain Brothers in Seventeenth-century Paris<\/strong><br \/>\nCheng, Y.S. Grace<br \/>\nSupervisor: Dr. O. Mansour<\/p>\n<p><strong>Representing the Literatus: Portraiture and Identity in Yuan Figure Painting<\/strong><br \/>\nLeung, Ge Yau \u6881\u82b7\u67d4<br \/>\nSupervisor: Dr. R.L. Hammers<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-8 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2013<\/h2><\/div><div class=\"fusion-text fusion-text-9\"><p><strong>The Joseon Fine Art Exhibition under Japanese Colonial Rule<\/strong><br \/>\nLee, Yoon Yung \uc774\uc724\uc601<br \/>\nSupervisor: Dr. Y.W. Koon<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-9 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2012<\/h2><\/div><div class=\"fusion-text fusion-text-10\"><p><strong>Christian Faith in the Art of Wu Li (1632-1718)<\/strong><br \/>\nFung, Nok Kan Nicole \u99ae\u8afe\u52e4<br \/>\nSupervisor: Dr. Y.W. Koon<\/p>\n<p><strong>Envisioning Authority: The Mongol Imperium and the Yonglegong Mural Paintings and Architecture<\/strong><br \/>\nLi, Chun Tung \u674e\u4fca\u5f64<br \/>\nSupervisor: Dr. R.L. Hammers<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-10 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2011<\/h2><\/div><div class=\"fusion-text fusion-text-11\"><p><strong>\u2018Strange Machines\u2019 from the West: European Curiosities at the Qing Imperial Courts, 1644-1796<\/strong><br \/>\nBraun, Stephanie Eva<br \/>\nSupervisors: Dr. Y.W. Koon (primary), Prof. G.M. Thomas<\/p>\n<p><strong>Fashioning Food in Impressionist Painting<\/strong><br \/>\nWong, Sau Mui Alice \u9ec3\u79c0\u6885<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-11 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2010<\/h2><\/div><div class=\"fusion-text fusion-text-12\"><p><strong>Refuge and Empty Pavilions: Encountering Ni Zan (1306-1374)<\/strong><br \/>\nLeung, Pui Yi \u6881\u4f69\u5100<br \/>\nSupervisors: Dr. R.L. Hammers (primary), Dr. C.D. Muir<\/p>\n<p><strong>A Reassessment of Donatello\u2019s and Titian\u2019s Penitent Magdalens and the Perspectives They Offer on Women and Religion in the Italian Renaissance Art and Society<\/strong><br \/>\nSoden, Katie Jane<br \/>\nSupervisor: Dr. C.D. Muir<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-12 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2007<\/h2><\/div><div class=\"fusion-text fusion-text-13\"><p><strong>Art and the Taiping Rebellion<\/strong><br \/>\nHo, Yi Hsing Joan \u4f55\u61ff\u884c<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<p><strong>Concepts of Realism in relation to the Landscape Paintings of John Constable<\/strong><br \/>\nKwok, Yin Ning \u90ed\u71d5\u5be7<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<p><strong>Transformation in the Aesthetics of Tea Culture in Japan<\/strong><br \/>\nMaetani, Masumi \u524d\u8c37\u771f\u58fd\u7f8e<br \/>\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<p><strong>Jewish Imagery and Orientalism in Nineteenth and Early Twentieth Century European Art<\/strong><br \/>\nTsang, Wing Yi \u66fe\u7a4e\u6021<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-13 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2006<\/h2><\/div><div class=\"fusion-text fusion-text-14\"><p><strong>Dream, Pilgrimage and Dragons in the Kegon Engi Emaki (Illustrated Legends of the Kegon Patriarchs): Reading Ideology in Kamakura Buddhist Narrative Scrolls<\/strong><br \/>\nChan, Yuk Yue \u9673\u7389\u8339<br \/>\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-14 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2005<\/h2><\/div><div class=\"fusion-text fusion-text-15\"><p><strong>The Shanghai Art College, 1913-1937<\/strong><br \/>\nZheng, Jie Jane \u912d\u6f54<br \/>\nSupervisors: Prof. Q.L. Wan, Prof. G.M. Thomas, Prof. D.J. Clarke<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-15 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2004<\/h2><\/div><div class=\"fusion-text fusion-text-16\"><p><strong>Public Art in Hong Kong<\/strong><br \/>\nCheung, Wai Ting Stephanie \u5f35\u6167\u5a77<br \/>\nSupervisors: Prof. D.J. Clarke, Prof. G.M. Thomas<\/p>\n<p><strong>Indian Women Painters from the 1970s to the 1990s with Special Reference to the Work of Arpana Caur<\/strong><br \/>\nLalvani, Tasha<br \/>\nSupervisors: Dr. R. Ghose, Prof. G.M. Thomas<\/p>\n<p><strong>The Seal-Engraving Art of Deng Shiru (1743-1805)<\/strong><br \/>\nLau, Ho Man \u5289\u6d69\u654f<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<p><strong>Modern Dance Choreography in 1990s Hong Kong<\/strong><br \/>\nLau, Tin Ming \u5289\u5929\u660e<br \/>\nSupervisor: Prof. D.J. Clarke<\/p>\n<p><strong>The Chinese Women\u2019s Calligraphy and Painting Society: The First Women\u2019s Art Society in Modern China<\/strong><br \/>\nLeung, Mei Yin Doris \u6881\u7f8e\u8ce2<br \/>\nSupervisors: Dr. C.D. Muir, Dr. E.K. Lai<\/p>\n<p><strong>Ren Bonian\u2019s Zhong Kui Paintings<\/strong><br \/>\nLuk, Yu Ping \u9678\u65bc\u5e73<br \/>\nSupervisors: Prof. Q.L. Wan, Prof. D.J. Clarke<\/p>\n<p><strong>Kayama Matazo\u2019s Nihonga<\/strong><br \/>\nParlett, Shiori<br \/>\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-16 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2003<\/h2><\/div><div class=\"fusion-text fusion-text-17\"><p><strong>From Aestheticism to the Modern Movement: Whistler, the Artists Colony of St. Ives and Australia 1884-1910<\/strong><br \/>\nThomson, Jonathan Wyville<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<p><strong>Collecting and Picturing the Orient: China\u2019s Impact on 19th Century European Art<\/strong><br \/>\nWong, Mei Kin Maggie \u9ec3\u7f8e\u5805<br \/>\nSupervisors: Prof. G.M. Thomas, Prof. D.J. Clarke<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-17 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2002<\/h2><\/div><div class=\"fusion-text fusion-text-18\"><p><strong>The Reception of Western Art History in Republican China<\/strong><br \/>\nFeng, Huanian \u99ae\u83ef\u5e74<br \/>\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<p><strong>The Development of the Stars (Xingxing) Artists, 1979-2000<\/strong><br \/>\nFok, Siu Har Silvia \u970d\u5c11\u971e<br \/>\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-18 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2000<\/h2><\/div><div class=\"fusion-text fusion-text-19\"><p><strong>Words and Images in Contemporary Hong Kong Art, 1984-1997<\/strong><br \/>\nLai, Mei Lin Eliza \u9ece\u7f8e\u84ee<br \/>\nSupervisor: Prof. D.J. Clarke<\/p>\n<p><strong>A Study of Kang Youwei\u2019s (1858-1927) Guang Yizhou Shuangji<\/strong><br \/>\nLau, Chak Kwong \u5289\u6fa4\u5149<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<p><strong>The Spirit of Asobi as seen in Sotatsu\u2019s Work<\/strong><br \/>\nPackard, Keiko I.<br \/>\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<p><strong>The Case of Wang Yiting (1867-1938): A Unique Figure in Early Twentieth Century Chinese Art History<\/strong><br \/>\nSiu, Fun Kee \u856d\u82ac\u742a<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-19 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1999<\/h2><\/div><div class=\"fusion-text fusion-text-20\"><p><strong>Huishi Fawei: The Theoretical Writing of Tangdai (1673-after 1752)<\/strong><br \/>\nLam, Yick Ying Susan \u6797\u4ea6\u82f1<br \/>\nSupervisor: Prof. J.H. Chou<\/p>\n<p><strong>In Pursuit of Classical Professionalism: A Consistent Feature of Zhang Daqian and His Art<\/strong><br \/>\nLaw, Suk Mun Sophia \u7f85\u6dd1\u654f<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<p><strong>The Art of Guillermo Kuitca<\/strong><br \/>\nLoayza-Lauffs, Mariana<br \/>\nSupervisor: Prof. D.J. Clarke<\/p>\n<p><strong>Xiao Yuncong (1596-1669) and His Landscape Paintings \u856d\u96f2\u5f9e\u53ca\u5176\u5c71\u6c34\u7e6a\u756b<\/strong><br \/>\nSzeto, Yuen Kit \u53f8\u5f92\u5143\u5091<br \/>\nSupervisor: Prof. J.H. Chou<\/p>\n<p><strong>Feng Zikai\u2019s (1898-1975) Manhua on the Theme of Children<\/strong><br \/>\nTo, Pui Yee Perry \u675c\u57f9\u7fa9<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-20 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1998<\/h2><\/div><div class=\"fusion-text fusion-text-21\"><p><strong>Ritual Meaning of \u201cWater and Land\u201d: A Study of Buddhist Ceremonial Paintings of the Song and Yuan Dynasties<\/strong><br \/>\nMaudsley, Catherine Ruth<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-21 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1997<\/h2><\/div><div class=\"fusion-text fusion-text-22\"><p><strong>Sesshu and Chinese Academic Painting<\/strong><br \/>\nNg, Yuk Lan \u5433\u7389\u862d<br \/>\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-22 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1996<\/h2><\/div><div class=\"fusion-text fusion-text-23\"><p><strong>Hong Kong Art Photography: From the Beginnings to the Japanese Invasion of December 1941<\/strong><br \/>\nLai, Kin Keung Edwin \u9ece\u5065\u5f37<br \/>\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<p><strong>Painting in Western Media in Early Twentieth Century Hong Kong<\/strong><br \/>\nLee, Sai Chong Jack \u674e\u4e16\u838a<br \/>\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<p><strong>Xu Beihong (1895-1953) and Western Influence: A Study of His Large-Scale History Paintings<\/strong><br \/>\nYeung, Yuk Ling Cecilia \u694a\u7389\u73b2<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-23 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1989<\/h2><\/div><div class=\"fusion-text fusion-text-24\"><p><strong>The Development of Lu Shoukun\u2019s Art<\/strong><br \/>\nChan, Flora Kay \u9673\u9cf3\u59ec<br \/>\nSupervisor: Prof. H.Y. Shih<\/p>\n<p><strong>The Development of the Jingdezhen Kilns in the Yuan Dynasty<\/strong><br \/>\nYeung, Chun Tong \u694a\u6625\u68e0<br \/>\nSupervisor: Prof. H.Y. Shih<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-24 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1985<\/h2><\/div><div class=\"fusion-text fusion-text-25\"><p><strong>Research on the Art of Zhu Ming with Special Focus on His \u2018Taiji\u2019 and \u2018The Living World\u2019 series<\/strong><br \/>\nLui, Shi Mun Patricia \u5442\u8a69\u654f<br \/>\nSupervisors: Dr. N. Corazzo, Prof. H.Y. Shih<\/p>\n<p><strong>The Study of Liao Ceramics<\/strong><br \/>\nMok, Kar Leung Harold \u83ab\u5bb6\u826f<br \/>\nSupervisor: Prof. H.Y. Shih<\/p>\n<p><strong>A Study of the Stone Sculptures of Dazu, Sichuan Province, with Special Reference to Dafowan at Baodingshan<\/strong><br \/>\nWong, Yin Fong Anita \u9ec3\u71d5\u82b3<br \/>\nSupervisor: Mr. S.C. Chuang<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-25 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1979<\/h2><\/div><div class=\"fusion-text fusion-text-26\"><p><strong>A Study of Orchid Paintings in China: from the Sung to Ming Dynasties<\/strong><br \/>\nChui, Yin Har Eliza \u5d14\u5ae3\u971e<br \/>\nSupervisor: Mr. S.C. Chuang<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_6 1_6 fusion-one-sixth fusion-column-last\" style=\"width:16.666666666667%;width:calc(16.666666666667% - ( ( 4% ) * 0.16666666666667 ) );margin-top:40px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-1 {border-radius:30px;}.fusion-button.button-1 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-2020s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">2020s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-2 {border-radius:30px;}.fusion-button.button-2 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-2 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-2010s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">2010s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-3 {border-radius:30px;}.fusion-button.button-3 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-3 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-2000s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">2000s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-4 {border-radius:30px;}.fusion-button.button-4 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-4 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-1990s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">1990s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-5 {border-radius:30px;}.fusion-button.button-5 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-5 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-1980s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">1980s<\/span><\/a><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1198,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2455","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=2455"}],"version-history":[{"count":40,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2455\/revisions"}],"predecessor-version":[{"id":12401,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2455\/revisions\/12401"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1198"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=2455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}