{"id":2468,"date":"2020-03-06T09:10:26","date_gmt":"2020-03-06T09:10:26","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2468"},"modified":"2023-06-20T07:16:23","modified_gmt":"2023-06-20T07:16:23","slug":"mphil-theses-of-2010s","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-2010s\/","title":{"rendered":"MPhil Theses of 2010s"},"content":{"rendered":"

2019<\/h3>\n<\/div>
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Art for the New Nation: the Rise of the Lingnan School in the 1920s and the 1930s<\/h5>\n<\/header>\n
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Liu, Yan Prynne \u5289\u8277<\/span>
\nSupervisor:\u00a0Dr. Y.W. Koon<\/span><\/p>\n<\/div>\n<\/div>

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2018<\/h3>\n<\/div>
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Britain\u2019s Imagination: China-inspired Elements in the English Landscape Garden, c.1720-1870<\/h5>\n
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Luo, Yi \u7f85\u6613<\/span>
\nSupervisor: Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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2017<\/h3>\n<\/div>
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The Display of Chinese Art in Late 19th-century French Houses and Museums<\/h5>\n<\/header>\n
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Wong, Yuet Heng \u9ec3\u6085\u884c<\/span>
\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div>\n<\/div>

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Pang Xunqin’s Wartime Paintings, 1937-1946<\/h5>\n<\/header>\n
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Yang, Qingkang \u694a\u6176\u5eb7<\/span>
\nSupervisor: Prof. D.J. Clarke<\/p>\n<\/div>\n<\/div>

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2016<\/h3>\n<\/div>
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Style, Identity, Genre: Inventing the Le Nain Brothers in Seventeenth-century Paris<\/h5>\n<\/header>\n
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Cheng, Y.S. Grace<\/span>
\nSupervisor:\u00a0Dr. O. Mansour<\/span><\/p>\n<\/div>\n<\/div>

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Representing the Literatus: Portraiture and Identity in Yuan Figure Painting<\/h5>\n<\/header>\n
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Leung, Ge Yau \u6881\u82b7\u67d4<\/span>
\nSupervisor:\u00a0Dr. R.L. Hammers<\/span><\/p>\n<\/div>\n<\/div>

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2013<\/h3>\n<\/div>
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The Joseon Fine Art Exhibition under Japanese Colonial Rule<\/h5>\n<\/header>\n
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Lee, Yoon Yung \uc774\uc724\uc601<\/span>
\nSupervisor:\u00a0Dr. Y.W. Koon<\/span><\/p>\n<\/div>\n<\/div>

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2012<\/h3>\n<\/div>
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Christian Faith in the Art of Wu Li (1632-1718)<\/h5>\n<\/header>\n
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Fung, Nok Kan Nicole \u99ae\u8afe\u52e4<\/span>
\nSupervisor:\u00a0Dr. Y.W. Koon<\/span><\/p>\n<\/div>\n<\/div>

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Envisioning Authority: The Mongol Imperium and the Yonglegong Mural Paintings and Architecture<\/h5>\n<\/header>\n
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Li, Chun Tung \u674e\u4fca\u5f64<\/span>
\nSupervisor:\u00a0Dr. R.L. Hammers<\/span><\/p>\n<\/div>\n<\/div>

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2011<\/h3>\n<\/div>
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‘Strange Machines’ from the West: European Curiosities at the Qing Imperial Courts, 1644-1796<\/h5>\n<\/header>\n
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Braun, Stephanie Eva<\/span>
\nSupervisors: Dr. Y.W. Koon (primary), Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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Fashioning Food in Impressionist Painting<\/h5>\n<\/header>\n
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Wong, Sau Mui Alice \u9ec3\u79c0\u6885<\/span>
\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div>\n<\/div>

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2010<\/h3>\n<\/div>
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Refuge and Empty Pavilions: Encountering Ni Zan (1306-1374)<\/h5>\n<\/header>\n
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Leung, Pui Yi \u6881\u4f69\u5100<\/span>
\nSupervisors: Dr. R.L. Hammers (primary), Dr. C.D. Muir<\/span><\/p>\n<\/div>\n<\/div>

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A Reassessment of Donatello’s and Titian’s Penitent Magdalens and the Perspectives They Offer on Women and Religion in the Italian Renaissance Art and Society<\/h5>\n<\/header>\n
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Soden, Katie Jane<\/span>
\nSupervisor:\u00a0Dr. C.D. Muir<\/span><\/p>\n<\/div>\n<\/div>

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