{"id":2568,"date":"2020-03-10T07:06:29","date_gmt":"2020-03-10T07:06:29","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2568"},"modified":"2025-02-07T03:02:22","modified_gmt":"2025-02-07T03:02:22","slug":"mphil-theses-of-2000s","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-2000s\/","title":{"rendered":"MPhil Theses of 2000s"},"content":{"rendered":"

2007<\/h3>\n<\/div>
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Art and the Taiping Rebellion<\/h5>\n<\/header>\n
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Ho, Yi Hsing Joan \u4f55\u61ff\u884c<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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Concepts of Realism in relation to the Landscape Paintings of John Constable<\/h5>\n<\/header>\n
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Kwok, Yin Ning \u90ed\u71d5\u5be7<\/span>
\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div>\n<\/div>

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Transformation in the Aesthetics of Tea Culture in Japan<\/h5>\n<\/header>\n
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Maetani, Masumi \u524d\u8c37\u771f\u58fd\u7f8e<\/span>
\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div>\n<\/div>

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Jewish Imagery and Orientalism in Nineteenth and Early Twentieth Century European Art<\/h5>\n<\/header>\n
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Tsang, Wing Yi \u66fe\u7a4e\u6021<\/span>
\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div>\n<\/div>

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2006<\/h3>\n<\/div>
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Dream, Pilgrimage and Dragons in the Kegon Engi Emaki (Illustrated Legends of the Kegon Patriarchs): Reading Ideology in Kamakura Buddhist Narrative Scrolls<\/h5>\n
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Chan, Yuk Yue \u9673\u7389\u8339<\/span>
\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div>\n<\/div>

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2005<\/h3>\n<\/div>
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The Shanghai Art College, 1913-1937<\/h5>\n<\/header>\n
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Zheng, Jie Jane \u912d\u6f54<\/span>
\nSupervisors: Prof. Q.L. Wan, Prof. G.M. Thomas, Prof. D.J. Clarke<\/p>\n<\/div>\n<\/div>

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2004<\/h3>\n<\/div>
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Public Art in Hong Kong<\/h5>\n<\/header>\n
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Cheung, Wai Ting Stephanie \u5f35\u6167\u5a77<\/span>
\nSupervisors: Prof. D.J. Clarke, Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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Indian Women Painters from the 1970s to the 1990s with Special Reference to the Work of Arpana Caur<\/h5>\n<\/header>\n
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Lalvani, Tasha<\/span>
\nSupervisors: Dr. R. Ghose, Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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The Seal-Engraving Art of Deng Shiru (1743-1805)<\/h5>\n<\/header>\n
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Lau, Ho Man \u5289\u6d69\u654f<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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Modern Dance Choreography in 1990s Hong Kong<\/h5>\n<\/header>\n
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Lau, Tin Ming \u5289\u5929\u660e<\/span>
\nSupervisor: Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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The Chinese Women’s Calligraphy and Painting Society: The First Women’s Art Society in Modern China<\/h5>\n<\/header>\n
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Leung, Mei Yin Doris \u6881\u7f8e\u8ce2<\/span>
\nSupervisors: Dr. C.D. Muir, Dr. E.K. Lai<\/span><\/p>\n<\/div>\n<\/div>

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Ren Bonian’s Zhong Kui Paintings<\/h5>\n<\/header>\n
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Luk, Yu Ping \u9678\u65bc\u5e73<\/span>
\nSupervisors: Prof. Q.L. Wan, Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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Kayama Matazo’s Nihonga<\/h5>\n<\/header>\n
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Parlett, Shiori<\/span>
\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div>\n<\/div>

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2003<\/h3>\n<\/div>
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From Aestheticism to the Modern Movement: Whistler, the Artists Colony of St. Ives and Australia 1884-1910<\/h5>\n<\/header>\n
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Thomson, Jonathan Wyville<\/span>
\nSupervisor:\u00a0Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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Collecting and Picturing the Orient: China’s Impact on 19th Century European Art<\/h5>\n<\/header>\n
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Wong, Mei Kin Maggie \u9ec3\u7f8e\u5805<\/span>
\nSupervisors: Prof. G.M. Thomas, Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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2002<\/h3>\n<\/div>
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The Reception of Western Art History in Republican China<\/h5>\n<\/header>\n
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Feng, Huanian\u00a0 \u99ae\u83ef\u5e74<\/span>
\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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The Development of the Stars (Xingxing) Artists, 1979-2000<\/h5>\n<\/header>\n
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Fok, Siu Har Silvia \u970d\u5c11\u971e<\/span>
\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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2000<\/h3>\n<\/div>
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Words and Images in Contemporary Hong Kong Art, 1984-1997<\/h5>\n<\/header>\n
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Lai, Mei Lin Eliza \u9ece\u7f8e\u84ee<\/span>
\nSupervisor: Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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A Study of Kang Youwei’s (1858-1927) Guang Yizhou Shuangji<\/h5>\n<\/header>\n
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Lau, Chak Kwong\u00a0 \u5289\u6fa4\u5149<\/span>
\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div>\n<\/div>

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The Spirit of Asobi as seen in Sotatsu’s Work<\/h5>\n<\/header>\n
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Packard, Keiko I.<\/span>
\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div>\n<\/div>

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The Case of Wang Yiting (1867-1938): A Unique Figure in Early Twentieth Century Chinese Art History<\/h5>\n<\/header>\n
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Siu, Fun Kee \u856d\u82ac\u742a<\/span>
\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div>\n<\/div>

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