{"id":2647,"date":"2020-03-12T08:15:38","date_gmt":"2020-03-12T08:15:38","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2647"},"modified":"2023-06-20T08:03:06","modified_gmt":"2023-06-20T08:03:06","slug":"mphil-theses-of-1990s","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-1990s\/","title":{"rendered":"MPhil Theses of 1990s"},"content":{"rendered":"

1999<\/h3>\n<\/div>
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Huishi Fawei: The Theoretical Writing of Tangdai (1673-after 1752)<\/h5>\n<\/header>\n
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Lam, Yick Ying Susan \u6797\u4ea6\u82f1<\/span>
\nSupervisor: Prof. J.H. Chou<\/span><\/p>\n<\/div>\n<\/div>

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In Pursuit of Classical Professionalism: A Consistent Feature of Zhang Daqian and His Art<\/h5>\n<\/header>\n
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Law, Suk Mun Sophia \u7f85\u6dd1\u654f<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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The Art of Guillermo Kuitca<\/h5>\n<\/header>\n
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Loayza-Lauffs, Mariana<\/span>
\nSupervisor: Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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Xiao Yuncong (1596-1669) and His Landscape Paintings \u856d\u96f2\u5f9e\u53ca\u5176\u5c71\u6c34\u7e6a\u756b<\/h5>\n<\/header>\n
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Szeto, Yuen Kit \u53f8\u5f92\u5143\u5091<\/span>
\nSupervisor: Prof. J.H. Chou<\/span><\/p>\n<\/div>\n<\/div>

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Feng Zikai’s (1898-1975) Manhua on the Theme of Children<\/h5>\n<\/header>\n
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To, Pui Yee Perry \u675c\u57f9\u7fa9<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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1998<\/h3>\n<\/div>
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Ritual Meaning of “Water and Land”: A Study of Buddhist Ceremonial Paintings of the Song and Yuan Dynasties<\/h5>\n
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Maudsley, Catherine Ruth<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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1997<\/h3>\n<\/div>
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Sesshu and Chinese Academic Painting<\/h5>\n<\/header>\n
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Ng, Yuk Lan \u5433\u7389\u862d<\/span>
\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div>\n<\/div>

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1996<\/h3>\n<\/div>
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Hong Kong Art Photography: From the Beginnings to the Japanese Invasion of December 1941<\/h5>\n<\/header>\n
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Lai, Kin Keung Edwin \u9ece\u5065\u5f37<\/span>
\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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Painting in Western Media in Early Twentieth Century Hong Kong<\/h5>\n<\/header>\n
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Lee, Sai Chong Jack \u674e\u4e16\u838a<\/span>
\nSupervisors: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<\/div>\n<\/div>

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Xu Beihong (1895-1953) and Western Influence: A Study of His Large-Scale History Paintings<\/h5>\n<\/header>\n
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Yeung, Yuk Ling Cecilia \u694a\u7389\u73b2<\/span>
\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div>\n<\/div>

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<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":2455,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2647","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=2647"}],"version-history":[{"count":5,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2647\/revisions"}],"predecessor-version":[{"id":10960,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2647\/revisions\/10960"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2455"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=2647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}