{"id":2690,"date":"2020-03-12T09:04:36","date_gmt":"2020-03-12T09:04:36","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2690"},"modified":"2025-02-07T03:25:32","modified_gmt":"2025-02-07T03:25:32","slug":"phd-thesis","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/","title":{"rendered":"PhD Thesis"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_5_6 5_6 fusion-five-sixth fusion-column-first\" style=\"width:83.333333333333%;width:calc(83.333333333333% - ( ( 4% ) * 0.83333333333333 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2024<\/h2><\/div><div class=\"fusion-text fusion-text-1\"><p><b>The Empire of Paper: Pictures of Chinese Papermaking Made in Late Imperial China and Their Social Lives in Early Modern World<br \/>\n<\/b>Wen, Summer Xiaomin<br \/>\nSupervisor: Prof. R.L. Hammers<\/p>\n<p><b>Cultural Transfer from China to Europe: The Scientific Illustrations of Michael Boym (1612-1659)<br \/>\n<\/b>Csillag, Eszter Maria<br \/>\nSupervisor: Prof. Yeewan Koon<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2021<\/h2><\/div><div class=\"fusion-text fusion-text-2\"><p><strong>The Spectrum of Colours in Black Ink: Wang Yuan (act. C. 1300-1360) and the Flower-and-Bird Paintings of Song (960-1279) and Yuan (1271-1368) China<\/strong><br \/>\nLeung, Ge Yau \u6881\u82b7\u67d4<br \/>\nSupervisor: Dr. R.L. Hammers<\/p>\n<p><strong>The Art and Politics of Watermoom Avalokiteshvara Paintings in East Asia during the 8th to 14th Centuries<\/strong><br \/>\nLi, Chun Tung \u674e\u4fca\u5f64<br \/>\nSupervisor: Dr. R.L. Hammers<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2018<\/h2><\/div><div class=\"fusion-text fusion-text-3\"><header>\n<header>\n<p data-fontsize=\"20\" data-lineheight=\"30px\"><strong>Art, Science, and Diplomacy: Imagery of the MaCartney Embassy to China<\/strong><br \/>\nChen, Shanshan \u9673\u73ca\u73ca<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/header>\n<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2016<\/h2><\/div><div class=\"fusion-text fusion-text-4\"><header><strong>The European Reception of Chinese Painting and Calligraphy after 1600 and before 1860<\/strong><br \/>\nKwok, Yin Ning \u90ed\u71d5\u5be7<br \/>\nSupervisor: Prof. G.M. Thomas<\/p>\n<header><strong>Bamboo in Principle: Ke Jiusi\u2019s (1290-1349) Paintings and Knowledge in the Yuan Dynasty (1271-1368)<\/strong><br \/>\nLeung, Pui Yi \u6881\u4f69\u5100<br \/>\nSupervisor: Dr. R.L. Hammers<\/header>\n<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2009<\/h2><\/div><div class=\"fusion-text fusion-text-5\"><header><strong>Seismic States: The Changing System of Support for Contemporary Art in China, 1978-1999<\/strong><br \/>\nDeBevoise, Jane Boettgen<br \/>\nSupervisor: Prof. D.J. Clarke<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2008<\/h2><\/div><div class=\"fusion-text fusion-text-6\"><header>\n<p data-fontsize=\"20\" data-lineheight=\"30px\"><strong>Performance Art and the Body in Contemporary China<\/strong><br \/>\nFok, Siu Har Silvia \u970d\u5c11\u971e<br \/>\nSupervisor: Prof. D.J. Clarke<\/p>\n<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2007<\/h2><\/div><div class=\"fusion-text fusion-text-7\"><header><strong>Mid-Muromachi Flower and Bird Painting in Ashikaga Painting Circles<\/strong><br \/>\nNg, Yuk Lan \u5433\u7389\u862d<br \/>\nSupervisor: Dr. P.R. Stanley-Baker<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-8 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2005<\/h2><\/div><div class=\"fusion-text fusion-text-8\"><header><strong>China Trade Painting: 1750s to 1880s<\/strong><br \/>\nLee, Sai Chong Jack \u674e\u4e16\u838a<br \/>\nSupervisor: Prof. Q.L. Wan<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-9 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2004<\/h2><\/div><div class=\"fusion-text fusion-text-9\"><p><strong>Chen Shizeng (1862-1923) and the Reform of Chinese Ar<\/strong>t<br \/>\nGao, Xindan \u9ad8\u6615\u4e39<br \/>\nSupervisors: Prof. Q.L. Wan, Prof. D.J. Clarke<\/p>\n<header><strong>Zhang Daqian\u2019s (1899-1983) Place in the History of Chinese Painting<br \/>\n<\/strong>Law, Suk Mun Sophia \u7f85\u6dd1\u654f<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<header>\n<header>\n<p data-fontsize=\"20\" data-lineheight=\"30px\"><strong>The Conventional and the Individual in Fu Baoshi\u2019s (1904-1965) Painting<\/strong><br \/>\nSiu, Fun Kee \u856d\u82ac\u742a<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/header>\n<\/header>\n<\/header>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-10 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">2000<\/h2><\/div><div class=\"fusion-text fusion-text-10\"><p><strong>The Life and Art Photography of Lang Jingshan (1892-1995)<\/strong><br \/>\nLai Kin Keung, Edwin \u9ece\u5065\u5f37<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<p><strong>Dance Sculpture as a Visual Motif of the Sacred and the Secular: A Comparative Study of the Belur Cennakesava and the Halebidu Hoysalesvara Temples<\/strong><br \/>\nRamaswami, Siri<br \/>\nSupervisor: Dr. R. Ghose<\/p>\n<p><strong>Patterns in the Collecting and Connoisseurship of Chinese Art in Hong Kong and Taiwan<\/strong><br \/>\nWear, Eric Otto \u83ef\u7acb\u5f37<br \/>\nSupervisor: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-11 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1999<\/h2><\/div><div class=\"fusion-text fusion-text-11\"><p><strong>Jiehua of the Qing Dynasty (1644-1911)<\/strong><br \/>\nChung, Miu Fun Anita \u937e\u5999\u660f<br \/>\nSupervisor: Prof. J.H. Chou<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-12 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1998<\/h2><\/div><div class=\"fusion-text fusion-text-12\"><p><strong>Huang Binhong (1865-1955) and His Redefinition of the Chinese Painting Tradition in the Twentieth Century<\/strong><br \/>\nKotewall, Pikyee \u8607\u78a7\u61ff<br \/>\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-13 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1989<\/h2><\/div><div class=\"fusion-text fusion-text-13\"><p><strong>The Imperial Porcelain Wares of the Late Qing Dynasty<\/strong><br \/>\nKwan, Sin Ming Simon \u95dc\u5584\u660e<br \/>\nSupervisor: Mr. S.C. Chuang<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-14 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1983<\/h2><\/div><div class=\"fusion-text fusion-text-14\"><p><strong>Hua Yen, 1682-1756: His Life and Art<\/strong><br \/>\nTsang, Ka Bo \u66fe\u5bb6\u5bf6<br \/>\nSupervisor: Mr. S.C. Chuang<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-15 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"margin-top:20px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h2 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.4;\">1981<\/h2><\/div><div class=\"fusion-text fusion-text-15\"><p><strong>A Study of Shiwan Pottery<\/strong><br \/>\nScollard, Fredrikke Skinsnes<br \/>\nSupervisor: Dr. S.C. Chuang<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_6 1_6 fusion-one-sixth fusion-column-last\" style=\"width:16.666666666667%;width:calc(16.666666666667% - ( ( 4% ) * 0.16666666666667 ) );margin-top:60px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-1 {border-radius:30px;}.fusion-button.button-1 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/phd-thesis-of-2020s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">2020s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-2 {border-radius:30px;}.fusion-button.button-2 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-2 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/phd-thesis-of-2010s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">2010s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-3 {border-radius:30px;}.fusion-button.button-3 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-3 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/phd-theses-of-2000s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">2000s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-4 {border-radius:30px;}.fusion-button.button-4 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-4 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/phd-theses-of-1990s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">1990s<\/span><\/a><\/div><div class=\"fusion-align-block\"><style type=\"text\/css\">.fusion-button.button-5 {border-radius:30px;}.fusion-button.button-5 .fusion-button-text {text-transform:none;}<\/style><a class=\"fusion-button button-flat fusion-button-default-size button-default button-5 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/phd-theses-of-1980s\/\" style=\"margin-top:20px;\"><span class=\"fusion-button-text\">1980s<\/span><\/a><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1198,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2690","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=2690"}],"version-history":[{"count":25,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2690\/revisions"}],"predecessor-version":[{"id":12403,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2690\/revisions\/12403"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1198"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=2690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}