{"id":2700,"date":"2020-03-13T08:34:40","date_gmt":"2020-03-13T08:34:40","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?page_id=2700"},"modified":"2023-06-20T08:14:39","modified_gmt":"2023-06-20T08:14:39","slug":"phd-theses-of-2000s","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/phd-thesis\/phd-theses-of-2000s\/","title":{"rendered":"PhD Theses of 2000s"},"content":{"rendered":"

2009<\/h3>\n<\/div>
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Seismic States: The Changing System of Support for Contemporary Art in China, 1978-1999<\/h5>\n<\/header>\n
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DeBevoise, Jane Boettgen<\/span>
\nSupervisor: Prof. D.J. Clarke<\/p>\n<\/div>\n<\/div>

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2008<\/h3>\n<\/div>
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Performance Art and the Body in Contemporary China<\/h5>\n
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Fok, Siu Har Silvia \u970d\u5c11\u971e<\/span>
\nSupervisor: Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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2007<\/h3>\n<\/div>
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Mid-Muromachi Flower and Bird Painting in Ashikaga Painting Circles<\/h5>\n<\/header>\n
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Ng, Yuk Lan \u5433\u7389\u862d<\/span>
\nSupervisor: Dr. P.R. Stanley-Baker<\/p>\n<\/div>\n<\/div>

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2005<\/h3>\n<\/div>
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China Trade Painting: 1750s to 1880s<\/h5>\n<\/header>\n
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Lee, Sai Chong Jack \u674e\u4e16\u838a<\/span>
\nSupervisor:\u00a0Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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2004<\/h3>\n<\/div>
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Chen Shizeng (1862-1923) and the Reform of Chinese Art<\/h5>\n<\/header>\n
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Gao, Xindan \u9ad8\u6615\u4e39<\/span>
\nSupervisors: Prof. Q.L. Wan, Prof. D.J. Clarke<\/span><\/p>\n<\/div>\n<\/div>

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Zhang Daqian’s (1899-1983) Place in the History of Chinese Painting<\/h5>\n<\/header>\n
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Law, Suk Mun Sophia \u7f85\u6dd1\u654f<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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The Conventional and the Individual in Fu Baoshi’s (1904-1965) Painting<\/h5>\n<\/header>\n
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Siu, Fun Kee \u856d\u82ac\u742a<\/span>
\nSupervisor: Prof. Q.L. Wan<\/span><\/p>\n<\/div>\n<\/div>

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2000<\/h3>\n<\/div>
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The Life and Art Photography of Lang Jingshan (1892-1995)<\/h5>\n<\/header>\n
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Lai Kin Keung, Edwin \u9ece\u5065\u5f37<\/span>
\nSupervisor: Prof. Q.L. Wan<\/p>\n<\/div>\n<\/div>

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Dance Sculpture as a Visual Motif of the Sacred and the Secular: A Comparative Study of the Belur Cennakesava and the Halebidu Hoysalesvara Temples<\/h5>\n<\/header>\n
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Ramaswami, Siri<\/span>
\nSupervisor:\u00a0Dr. R. Ghose<\/span><\/p>\n<\/div>\n<\/div>

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Patterns in the Collecting and Connoisseurship of Chinese Art in Hong Kong and Taiwan<\/h5>\n<\/header>\n
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Wear, Eric Otto \u83ef\u7acb\u5f37<\/span>
\nSupervisor: Prof. D.J. Clarke, Prof. Q.L. Wan<\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ HKU Archives<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":2690,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2700","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=2700"}],"version-history":[{"count":5,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2700\/revisions"}],"predecessor-version":[{"id":10963,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2700\/revisions\/10963"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/2690"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=2700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}