{"id":4610,"date":"2020-06-02T03:30:14","date_gmt":"2020-06-02T03:30:14","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/index.php\/people\/david-j-clarke\/a-portfolio-of-david-clarkes-artworks\/colour-images-of-macau-2\/"},"modified":"2020-06-17T08:18:14","modified_gmt":"2020-06-17T08:18:14","slug":"selected-photocopy-prints","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/people\/david-j-clarke\/a-portfolio-of-david-clarkes-artworks\/selected-photocopy-prints\/","title":{"rendered":"Selected Photocopy Prints\u00a0(1990-1997)"},"content":{"rendered":"
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Installation shot of Cultural Chop Shui 2,\u00a0<\/i>Fringe Club, Hong Kong, 4-13 October 1996, showing\u00a0Imaging Ambivalence.<\/i><\/p>\n<\/div><\/a><\/span>

Untitled work from The work of art in the age of mechanical reproduction<\/i>\u00a0project (1994), photocopy print.<\/p>\n<\/div>

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Installation shot of untitled works from\u00a0the\u00a0Imaging Ambivalence\u00a0project (1996), photocopy prints.<\/p>\n<\/div><\/a><\/span>

Mao I<\/i>\u00a0(1990), photocopy print.<\/p>\n<\/div>

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Detail of untitled work from\u00a0<\/i>the\u00a0Imaging Ambivalence<\/i>\u00a0project (1996),\u00a0<\/i>photocopy print.<\/p>\n<\/div><\/a><\/span>

Mao II\u00a0(1990\/1997), photocopy print.<\/i><\/p>\n<\/div>

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Detail of untitled work from\u00a0<\/i>the\u00a0Imaging Ambivalence<\/i>\u00a0project (1996),\u00a0<\/i>photocopy print.<\/p>\n<\/div>

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