{"id":6961,"date":"2020-12-01T02:24:44","date_gmt":"2020-12-01T02:24:44","guid":{"rendered":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/mphil-and-phd\/thesis\/mphil-thesis\/mphil-theses-of-2010s-2\/"},"modified":"2025-03-03T01:26:25","modified_gmt":"2025-03-03T01:26:25","slug":"ma-dissertations","status":"publish","type":"page","link":"https:\/\/arthistory.hku.hk\/index.php\/academic-programmes\/master-of-arts-in-art-history\/ma-dissertations\/","title":{"rendered":"MA Dissertations"},"content":{"rendered":"

2023-2024<\/h3>\n<\/div>
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Masochism and Marginality in Works of Yang Zhichao<\/h5>\n<\/header>\n
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CHing, Chin Wai<\/span>
\nSupervisor:\u00a0Dr. A. Baecker<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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My Arizona<\/em>: Spaces in Noguchi\u2019s Playground<\/h5>\n<\/header>\n
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Fan, Xinran\u00a0<\/span>
\nSupervisor: Dr. K. Wyma<\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Queer (Re)animation: The Affective Language of Video Art in Ellen Pau\u2019s Song of the Goddess<\/em><\/h5>\n<\/header>\n
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Gan, Di<\/span>
\nSupervisor:\u00a0Prof. Y. W. Koon<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Pagan-Biblical Motifs in a Marital Context: An Allegorical Interpretation of Titian\u2019s Sacred and Profane Love, 1514<\/em><\/h5>\n<\/header>\n
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Huang, Haiyi<\/span>
\nSupervisor:\u00a0Prof. A. Williams<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Bamboo Groves in Mist and Rain<\/em>: A Painting of Remembrance<\/h5>\n<\/header>\n
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Leung, Yeuk Hei<\/span>
\nSupervisor:\u00a0Prof. R.L. Hammers<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Beyond Ornamentation: Pang Xunqin\u2019s Wartime Craft Design Expanding the Realm of Art in Everyday Life<\/h5>\n<\/header>\n
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Tam, Wai<\/span>
\nSupervisor:\u00a0Dr. A. Baecker<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Figures as Evolved Traditions in the Exhibition Contemporary Art in Asia: Traditions\/Tensions<\/em><\/h5>\n<\/header>\n
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Wang, Xinxin<\/span>
\nSupervisor:\u00a0Dr. K. Wyma<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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In the Name of Flowers: The Romantic View of Nature Embodied in Philipp Otto Runge’s New Art of Landscape<\/h5>\n<\/header>\n
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Zhang, Weiqing<\/span>
\nSupervisor:\u00a0Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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2022-2023<\/h3>\n<\/div>
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Etched in Time: Pushpamala N.’s Archive of Political Resistance on Contemporary India<\/h5>\n<\/header>\n
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Hui, Fung Yi<\/span>
\nSupervisor:\u00a0Dr. K. Wyma<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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A Queer Site to See: How Space Functions as a Framework for Understanding Queer Artwork and its Becoming in Hong Kong<\/h5>\n<\/header>\n
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Kee, Jocelin Qing \u7d00\u6674<\/span>
\nSupervisor: Dr. Y.W. Koon<\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Recreating Western Imagery: European Influence on the Designs of Chinese Enamel Wares with Western Figures in the Qianlong Period (1736-1795)<\/h5>\n<\/header>\n
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Kwok, Ka Ki \u90ed\u5609\u6dc7<\/span>
\nSupervisor:\u00a0Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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The Presence of a Detached Past in the Gran Boathouse of Rachel Whiteread<\/h5>\n<\/header>\n
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Zhu, Wei<\/span>
\nSupervisor:\u00a0Dr. K. Wyma<\/span><\/p>\n<\/div>\n<\/div>

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2021-2022<\/h3>\n<\/div>
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Parallel Art Histories: Activism, Aboriginal Art and Australian Identities in the Work of Richard Bell<\/h5>\n<\/header>\n
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Farmer, Alice<\/span>
\nSupervisor:\u00a0Dr. K. Wyma<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Sketching the Peasants of a New China<\/h5>\n<\/header>\n
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Halim, Helena \u6797\u5fc3\u5100<\/span>
\nSupervisor: Dr. A.C. Baecker<\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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A Stage for the World: French Exoticism in the Gesamtkunstwerk of the Ballets Russes<\/h5>\n<\/header>\n
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Xian, Weijian \u51bc\u5049\u5065<\/span>
\nSupervisor:\u00a0Prof. G.M. Thomas<\/span><\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Beyond Landscape: The Roles of Ni Zan and Sheng Mou in Framing the Canon of Yuan Landscape Paintings<\/h5>\n<\/header>\n
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Yip, Po Sum Charlotte \u8449\u8446\u741b<\/span>
\nSupervisor:\u00a0Dr. R.L. Hammers<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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2020-2021<\/h3>\n<\/div>
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Kaleidoscopic Adventures: Shahzia Sikander’s Journey(s) Through History<\/h5>\n<\/header>\n
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Chen, Bonnie Hor Yee \u9673\u53ef\u5152<\/span>
\nSupervisor:\u00a0Dr. K. Wyma<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Materializing Absentness: Sculptural Matters in the Works of Louise Bourgeois and Eva Hesse<\/h5>\n<\/header>\n
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Cheung, Tsz Yu \u5f35\u5b50\u6e1d<\/span>
\nSupervisor:\u00a0Dr. S. Ng<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Finding Lui Shou-Kwan’s Place in the History of Modern Asian Art: 1950’s & 60’s<\/h5>\n<\/header>\n
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Cox, Carrie Bigelow<\/span>
\nSupervisor: Dr. Y.W. Koon<\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Should We Cancel the Elgin Marbles?<\/h5>\n<\/header>\n
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Ho, Ryan \u4f55\u6790\u5f65<\/span>
\nSupervisor:\u00a0Dr. S. McFadden<\/span><\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Diving into Henri Matisse’s Waters: Multifaceted Perspectives of Time and Space in the Swimming Pool<\/h5>\n<\/header>\n
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Tam, Hoi Lan \u8b5a\u51f1\u862d<\/span>
\nSupervisor: Prof. F. Vigneron<\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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“Monstrous Craving”: Corporeal Hybridity, Transgressive Desire, and the Female Morphine Addict in Fin de Si\u00e8cle Visual Culture<\/h5>\n<\/header>\n
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Van Delft, Dominique Catharina<\/span>
\nSupervisor: Prof. G.M. Thomas<\/p>\n<\/div>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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The Embodiment of Beauty: Examining the Ming Dynasty “Shin\u00fc tu” by Tang Yin and Wu Wei<\/h5>\n<\/header>\n
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Yang, Anqi \u694a\u5b89\u742a<\/span>
\nSupervisor: Prof. L. Blanchard<\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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2019-2020<\/h3>\n<\/div>
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Re-inventing Helen: Eleanor Antin\u2019s Helen’s Odyssey<\/h5>\n<\/header>\n
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Cheung, Yu Yan \u5f35\u745c\u8335<\/span>
\nSupervisor:\u00a0Dr. V.K. Sheng<\/span><\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Imagery of efficacy: A Daoist frontispiece by Liang Kai of the southern Song dynasty<\/h5>\n<\/header>\n
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Sun, Jingyu \u5b6b\u5a67\u5a1b<\/span>
\nSupervisor:\u00a0Dr. R.L. Hammers<\/span><\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

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Beyond the Mirror: Tang Chang\u2019s Self Portraits as Anti-canonical Resistance<\/h5>\n<\/header>\n
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Tsui, Enid Hiu Yue\u00a0\u5f90\u66c9\u745c<\/span>
\nSupervisor:\u00a0Dr. K. Wyma<\/span><\/p>\n<\/div>\n<\/div>

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online pdf @ HKU Scholars Hub<\/a><\/p>\n<\/div>

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hard copy @ RC collection<\/a><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":419,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6961","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/6961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=6961"}],"version-history":[{"count":40,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/6961\/revisions"}],"predecessor-version":[{"id":12450,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/6961\/revisions\/12450"}],"up":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/419"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=6961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}