{"id":3119,"date":"2020-03-27T04:31:10","date_gmt":"2020-03-27T04:31:10","guid":{"rendered":"https:\/\/finearts.hku.hk\/dev-finearts3\/?post_type=tribe_events&#038;p=3119"},"modified":"2020-06-23T04:41:56","modified_gmt":"2020-06-23T04:41:56","slug":"cezannes-gravity","status":"publish","type":"tribe_events","link":"https:\/\/arthistory.hku.hk\/index.php\/event\/cezannes-gravity\/","title":{"rendered":"C\u00e9zanne\u2019s Gravity"},"content":{"rendered":"<h5>The Shih Hsio-yen Distinguished Lecture in Art History series<\/h5>\n<h2>Cezanne\u2019s Gravity<\/h2>\n<p><strong>Date: 14 March 2012 (Wednesday)<br \/>\n<\/strong><strong>Time: 5:30pm<br \/>\n<\/strong><strong>Venue: LG109, K.K. Leung Building, HKU<\/strong><\/p>\n<p>&#8220;C\u00e9zanne&#8217;s Gravity&#8221; concerns the nineteenth century mathematics of curved space, notions of the object in space suggested by the theory of relatively, and the relation to both of Paul C\u00e9zanne&#8217;s still-life work. It argues that it is in C\u00e9zanne&#8217;s work, rather than in that of the cubists, that there is the most resonance with the Einsteinian space-time continuum. At the same time, and on the basis of the model of temporality provided by relativity, it argues against the modernist teleology at the head of which C\u00e9zanne is usually place.<\/p>\n<p><strong>Speaker: Carol Armstrong<\/strong><\/p>\n<p>Carol Armstrong is one of the world&#8217;s leading and most innovative scholars on Impressionism. She is Professor of art history at Yale University and has taught previously at the University of California, Berkeley, City University of New Tork, and Princeton University. &#8220;C\u00e9zanne&#8217;s Gravity&#8221; is related to a current book project rethinking C\u00e9zanne&#8217;s work in relation to modern physics and schizophrenia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Shih Hsio-yen Distinguished Lecture in Art History series Cezanne\u2019s Gravity Date: 14 March 2012 (Wednesday) Time: 5:30pm Venue: LG109, K.K. Leung Building, HKU &#8220;C\u00e9zanne&#8217;s Gravity&#8221; concerns the nineteenth century [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3120,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[213,183],"tribe_events_cat":[19],"class_list":["post-3119","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-shydistinguishedlecture","tag-visitingscholar","tribe_events_cat-lecture-series","cat_lecture-series"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events\/3119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":2,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events\/3119\/revisions"}],"predecessor-version":[{"id":3434,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events\/3119\/revisions\/3434"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media\/3120"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=3119"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tags?post=3119"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events_cat?post=3119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}