{"id":7111,"date":"2021-01-14T04:00:16","date_gmt":"2021-01-14T04:00:16","guid":{"rendered":"https:\/\/arthistory.hku.hk\/?post_type=tribe_events&#038;p=7111"},"modified":"2021-04-19T02:02:35","modified_gmt":"2021-04-19T02:02:35","slug":"yoshitomo-nara-no-longer-just-a-girl-with-a-knife-art-after-fukushima","status":"publish","type":"tribe_events","link":"https:\/\/arthistory.hku.hk\/index.php\/event\/yoshitomo-nara-no-longer-just-a-girl-with-a-knife-art-after-fukushima\/","title":{"rendered":"Yoshitomo Nara | No longer just a girl with a knife: Art after Fukushima"},"content":{"rendered":"<h5>This talk is organized by Los Angeles County Museum of Art (LACMA).<\/h5>\n<div>\n<h2>Art &amp; Conversation: Yoshitomo Nara | No longer just a girl with a knife: Art after Fukushima<\/h2>\n<\/div>\n<div>\n<div>\n<div>\n<p><strong>Date: 20 January 2021 (Wednesday)<\/strong><br \/>\n<strong>Time: 10-11am (HK time)<\/strong><\/p>\n<p>Webinar Registration: <a href=\"https:\/\/us02web.zoom.us\/webinar\/register\/WN_BpdLZjyLS56l0KYHNREJjw\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a><\/p>\n<p>This series takes viewers through three different periods in Nara\u2019s career, including his early art practice, questions narratives of \u201cJapanese-ness\u201d at the turn of the century, and the impact of the 2011 Great Tohoku disaster on Nara\u2019s art. Presented by\u00a0Yeewan Koon, Chair of the Department of Art History at the University of Hong Kong and author of\u00a0Yoshitomo Nara, the first truly authoritative monograph on the artist in more than a decade.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>This talk is organized by Los Angeles County Museum of Art (LACMA). Art &amp; Conversation: Yoshitomo Nara | No longer just a girl with a knife: Art after Fukushima Date: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7112,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[238,46,184,153,249],"tribe_events_cat":[142,29],"class_list":["post-7111","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-beyondhk","tag-beyondhku","tag-hkuscholar","tag-koon","tag-onlinetalk","tribe_events_cat-2020-2021","tribe_events_cat-conversation","cat_2020-2021","cat_conversation"],"_links":{"self":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events\/7111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":1,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events\/7111\/revisions"}],"predecessor-version":[{"id":7113,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events\/7111\/revisions\/7113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media\/7112"}],"wp:attachment":[{"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=7111"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tags?post=7111"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/arthistory.hku.hk\/index.php\/wp-json\/wp\/v2\/tribe_events_cat?post=7111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}