2021-2022
Parallel Art Histories: Activism, Aboriginal Art and Australian Identities in the Work of Richard Bell
Supervisor: Dr. K. Wyma
Sketching the Peasants of a New China
Supervisor: Dr. A.C. Baecker
A Stage for the World: French Exoticism in the Gesamtkunstwerk of the Ballets Russes
Supervisor: Prof. G.M. Thomas
Beyond Landscape: The Roles of Ni Zan and Sheng Mou in Framing the Canon of Yuan Landscape Paintings
Supervisor: Dr. R.L. Hammers
2020-2021
Kaleidoscopic Adventures: Shahzia Sikander’s Journey(s) Through History
Supervisor: Dr. K. Wyma
Materializing Absentness: Sculptural Matters in the Works of Louise Bourgeois and Eva Hesse
Supervisor: Dr. S. Ng
Finding Lui Shou-Kwan’s Place in the History of Modern Asian Art: 1950’s & 60’s
Supervisor: Dr. Y.W. Koon
Should We Cancel the Elgin Marbles?
Supervisor: Dr. S. McFadden
Diving into Henri Matisse’s Waters: Multifaceted Perspectives of Time and Space in the Swimming Pool
Supervisor: Prof. F. Vigneron
“Monstrous Craving”: Corporeal Hybridity, Transgressive Desire, and the Female Morphine Addict in Fin de Siècle Visual Culture
Supervisor: Prof. G.M. Thomas
The Embodiment of Beauty: Examining the Ming Dynasty “Shinü tu” by Tang Yin and Wu Wei
Supervisor: Prof. L. Blanchard
2019-2020
Re-inventing Helen: Eleanor Antin’s Helen’s Odyssey
Supervisor: Dr. V.K. Sheng
Imagery of efficacy: A Daoist frontispiece by Liang Kai of the southern Song dynasty
Supervisor: Dr. R.L. Hammers
Beyond the Mirror: Tang Chang’s Self Portraits as Anti-canonical Resistance
Supervisor: Dr. K. Wyma
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